PixelatedImage Blog

June 2010 Wallpapers *Updated

May 31st, 2010

Wow, you blink and the month has gone. As usual this one just snuck right up on me. June wallpapers are here, in both 2560×1600 and 1280×853, get’em while they’re hot. This is one of the images from the Venice Monograph being released through Craft & Vision on June 10th.  Click the image above for the smaller wallpaper. Click HERE for the larger one. *Originally posted wallpapers had the dates wrong. My bad. They’re correct now. Sorry to make y’all crazy.

If you missed it we released a whole wallpaper collection for the Apple iPad last week. There’s a small collection with 7 images for free, and a larger 25-image collection for $5. Complete details, and some screenshots, HERE if you’re looking to give your new iPad a little loving. Of course they’ll work on smaller laptops, netbooks, iPhones, etc., as well. Enjoy.

Begin.

May 30th, 2010

Camogli, Italy. It’s a stretch to make this image relevant to the sermon below, but these guys know that talking about fishing isn’t going to bring the fish in. Neither is looking at the boat and hoping something happens.

Goethe is frequently quoted as saying:

Whatever you can do or dream you can, begin it.
Boldness has genius, power and magic in it!

It’s likely he never said it quite this way, but the quote holds, and is relevant to this post. I’ve been reading a couple books lately. The first is ReWork, by Jason Fried. The second is Making Ideas Happen by Scott Belsky. Both intersect at the idea of work. In fact, a third book – The 4-Hour WorkWeek, Timothy Ferris – intersects here as well. Belsky especially is relevant to what we do, whether we do it as working photographers or not. I tell you all that so you know my sources as I get up on my soapbox.

As the so-called Creative Class you and I put a lot of stock in the value of ideas. Inspiration. Creativity. We often do not put a lot of stock into work. In fact work is often set up as the opposite of artistic endeavors. Where Belsky rocked my world is in pointing out that how great your idea is means almost nothing without the will to carry it out. And to do that you need motivation and organization and perseverance and the willingness to get up at 5am if that’s what it takes (don’t look at me, pretty sure my muse wouldn’t ask me to do that. That’s crazy talk. But for some people…).

You can generate idea after idea, fill your Moleskine notebooks so jam-packed with great ideas the world would fall down at your feet if only they knew how creative you were. But the trap lies in thinking that coming up with the ideas is where the value is. It isn’t. The value lies in your ability to execute. Forget all the hundreds of ideas. Pick one. And do it. Then pick another, and do it too.

We get paralyzed sometimes by too many options. A million ideas and we’re stuck because we can’t pick one. Stop it. Pick one. Move forward.

How does this apply? For working photographers or those who aspire to it – pick one project and do it. Finish it. Then do another. Which one? Who cares! Pick the one you most want to do, the one your dog wants you to do, or the one on the top of the list. But pick one, and do it. Because picking the “wrong one” and getting it done puts you in motion and is better than doing nothing at all. It’s the same with your day to day tasks. I know, you’ve got too much to do. Lord knows my calendars and to-do lists have never been so long, so I feel your pain. Don’t stare at it, don’t whine. Just pick the thing at the top of the list – or better – the one you most dread doing, and begin. Just begin.

And for the ones who just do this for fun – same thing. Begin. Pick a project. Begin. Work it through. Then finish it. Nothing helps us move forward like momentum; beginning is the hardest part. Get in motion, and watch things begin to fall into place.

You are not creative until you actually create something. The root word itself requires that. That old adage about creativity being 10% inspiration and 90% perspiration? It’s true. Don’t let your piles of notes and your great-sounding ideas lull you into thinking you’re making progress. You make progress when you begin. Ideas are great, but they’re no substitute for the thrill of creation, of seeing that idea become real. All you need to do is begin. And then finish. But beginning is the hard part. There are a million excuses – we’re too busy is the best one. But isn’t it interesting how the Too-Busy still have time for Lost and American Idol? How they’re always talking about their next great idea? How they – and by “they” I mean “we” because I’m the first one that needs to hear this sermon – are always talking about photography more than they are actually making photographs. Watch TV if you like, just don’t complain you don’t have enough time. And don’t try that “but I watch TV to get inspired!” line with me, most of us don’t need more inspiration. We need to begin acting on the inspiration we’ve already been given.

Timothy Ferris is a good read on this. The first thing he suggests is to adopt a low-information diet. Fried says decision are progress: stop thinking about projects, make a decision and move forward. Belsky suggests you adopt a life with a strong bias towards action. I suggest the same thing when you get stalled. Stop thinking about it. Stop complaining about it. Just begin. I’m not sure there’s magic in it, but power certainly. You will get more done than most creatives by taking that first step.

I know this post doesn’t seem photographically relevant but the fact is most of us have enough technical knowledge and at least one good idea. What we need is to get moving. Heck, even a mediocre idea – even a BAD idea – once in motion is better than a good one that never finds legs. At least the bad idea in motion has a chance of becoming a better idea and one day actually becoming something more than an idea. Begin!

The Magic of Black & White – Part Two, Craft

May 26th, 2010

A couple months ago we released Andrew S. Gibson’s The Magic of Black & White – Part One, Vision. Andrew’s clear teaching and passion for his medium were accompanied with great images and it’s become one of the best-selling titles in our library. I’ve had a ton of emails asking when the second book is coming out and it’s today!

Part Two picks up where Part One left off and discusses converting the captured image into spectacular monochrome and toned images that really pop. If you’ve wanted to get more comfortable with the digital black and white darkroom, this is a great step. Clearly illustrated with more of Andrew’s great images, and well taught (Andrew’s a technical editor for the UK’s fantastic EOS Magazine), the second part of this series is a great addition to the library.

As always we’re doing what we can to share the love. So until end of day on June 01, use codes MAGIC4 to save $1 on the new book, or MAGIC20 to get 20% off all books when you buy 5 or more. Use the buttons at the bottom or click HERE to mosey on over to the Craft&Vision general store for all yer eBook needs.

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iPad Wallpapers And More

May 26th, 2010

OK, I admit it, when the iPad was announced it elicited little more than a yawn from me. Then I got one, really just to test the eBooks on them for Craft & Vision. In short, I am an absolute believer. This will change the way we consume media, the way we learn, and the way we share our photography. I love my iPad. Everyone I know that owns one is a raving lunatic about the thing, and here in Canada it releases on Friday and the gentle Canuck nation can finally get their hands on one. When things get too much hype I often get suspicious. We Canadians are like that. But I don’t think I am overstating my case when I say that for sharing photographs, this gorgeous little piece of over-hyped hardware is going to change everything.

Anyways, a couple things that are only partly iPad related. Andrew S. Gibson’s second volume of his The Magic of Black & White series is coming out tomorrow, and with it a discount on the rest of the eBooks. Keep an eye open here, or on your inbox if you’ve purchased previous books. Andrew’s stuff is excellent if you’re wanting to create fantastic black and white images from your colour captures, and this one promises to be a favourite in the library, especially among folks that want to improve their black and white chops. So that leads me to the iPad things.

Moving forward the Craft & Vision eBooks are now being laid out for the iPad. If you get a PDF reader like GoodReader, you’ll be able to read them the way they were intended. We don’t do ePub because it blows apart the layouts, and the usual PDF way of things won’t allow you to view things in 2-Up. So, all that to say – same great experience for laptoppers and desktop users, and you can still print these if you want, but for the folks on iPhone or iPad, you’ll love the experience.

Secondly, I’ve had a number of requests to do something with my wallpapers. I could have made an app or something but the amount of time and energy seemed too much. So I did something easier. I’ve created a collection of 24 wallpapers for the iPad. That’s 2 years of wallpapers if you switch them monthly. But they have no calendars. Just pure photographic goodness. And I’m conscious of nickle-and-diming y’all to death, so here’s what I am going to do. There are two links down below. One is to a free collection of 6 wallpapers. Free, full-res, no catch. But there are only 6 (see above, do the math, you’ll see we threw in a seventh). And one is to the full collection. 24 Wallpapers, $5. If you’re saving your dimes for the eBooks – there are two coming out in the coming weeks – then you can still get in on the loving. If you’d be happy to give up a latte and shell out $5 for the full collection so I can buy my Craft & Vision team a latte instead, you can do that too. Either way, enjoy. See you here tomorrow for the big release of the next Craft&Vision book.

These wallpapers are around 1200×800-ish, so they’ll look great on anything from iPhones to Netbooks to 13″Macbooks. And iPads too!

Get the free Jr. Collection HERE with our thanks for being part of the community. Enjoy!

Get the Full Collection and declare your allegiance to beauty and all things good for $5 here:

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Back Home & Long Overdue

May 22nd, 2010

This is one of those long “cram as much into one post as possible” posts. The last month’s been sparse around here with all my travel, so now’s my time to play catch-up.

ITALY WITHIN THE FRAME

The iWTF trips were amazing and as Jeffrey Chapman and I get ready for next year’s offerings I’m already getting homesick for the places we called home during our time there. I enjoy all my workshops but these ones were special; might have had something to do with the spectacular scenery, and seemingly unending food and wine that was simply incredible. Loved it. It was a new thing for me, shooting in Europe for the first time in years and finding my rhythm, especially where photographing people was concerned. But your vision adapts to new places and new constraints, and I came home with images I’m proud of. Most of my images there were experimental and I’ve found that looking at all my work that way frees me to take more risks and be less safe. Anyways, amazing time there. If you click on the image above it’ll take you to a slideshow of the work I shot there. This is a rough edit and the post-production was done in a hurry on the road, but here’s a first look. Click HERE or on the image above.

By the way, there are still spots on the Kathmandu Within The Frame workshop in Nepal this fall. Click HERE for more information.

WHAT NOW?

Weirdly, I am now home for a stretch. I’ve got brief trips to San Francisco, New York City, and Maui planned for one thing or another, but until I take off for Lumen Dei India in September, I’m around for almost three months. During that time I’m wrapping up one project, beginning another, and working on releasing a few more Craft & Vision books to you. Then it’s Lumen Dei India in September, Kathmandu Within The Frame in October, and I think a personal trip to Antarctica in December before starting it all over again for 2011. Phew. I just exhausted myself typing that.

CRAFT & VISION RELEASES

I’m excited to tell you the Craft & Vision team is about to release a few more eBooks – including the second volume of Andrew S. Gibson’s The Magic of Black & White (which I’ll talk about later this week when it’s released), and the first three in a new series called The Print & The Process, which allows the photographs to take center stage, accompanied by a discussion of the creation of those images. I’ve got two coming out but the one I am most excited about is called CHASING REFLECTIONS by Eli Reinholdtsen. Her work is simply amazing and has inspired me in a way I haven’t been in a while. Makes me love photography all over again. Andrew’s book gets released this Thursday, May 27th. We’ve been working hard to keep up with the technology and have decided to change the layouts to a native landscape format so they read easier on both laptops and iPads. Have an iPad? Get the GoodReader app and these eBooks look fantastic!

AND FINALLY…

I just made the last tweaks on Vision & Voice (oh man, do I hope they’re the final ones!) and I’m happy to tell you that at this point it’s early for the deadline which means it’ll go to press on time and release on time. I had a heck of a time with this one. I’m no technical writer and there were days when the Artist and the Geek struggle was heavily in favour of the Geek and the Artist was begging for mercy. The fact that we got it done at all without me spending my advance on whisky is a miracle. But, it’s almost done, I’m still sober, and I’m thrilled with how it looks. It’ll be out in July and with that the vision trilogy will be complete. Until I do the fourth book which I’m embarrassed to tell you I’ve just begun. I know, I said I was taking a break….

LAST WORD.

One of the things that most surprised me in Italy was how taking a more experimental approach and spending such concentrated time with other photographers rejuvenated my vision and my passion for this craft. If it’s been a while since you felt that perhaps you’ll find your muse in a surprising place; stop taking this so seriously, comparing yourself to others, and expecting certain images. Let go, let it be a little more playful or experimental, grab a 50mm lens and go shoot something just for fun. We take things far too seriously sometimes.

Phew, that was a long one. Check out the Italy photographs, I’ll be back in a couple days with a few more things from the backlog in my brain, and the release of Andrew Gibson’s The Magic of Black & White – Part Two, Craft. Have a great weekend. And if you’re in the Commonwealth, a happy Victoria Day Weekend to ya.

Stuck In Customs Textures

May 21st, 2010

One of the things I love about photography is the wide range of expression it makes possible. Oddly, the board and forums are full of people arguing for the narrowest possible expression – use this gear, don’t do this, don’t do that, and God help you if you even THINK about doing this AND that with the wrong camera. Sheesh.

A couple times now I’ve pointed you towards Trey Ratcliff and his site, Stuck In Customs. Trey is known for his work with the now-popular HDR-look and is one of it’s fiercest champions and teachers. As I’ve said before, this is a look that gets strong mixed reactions, but I think the point is not whether you like it or not, it’s why so, so many people love it – most notably the non-photographers. There’s an interpretive, even impressionistic quality to it, that is often missing in more literal darkroom work.

Anyways, for those that don’t love it, I suggest you at least explore why you don’t love it and let that push you to creating work that more closely aligns with what you love. But remember there is room for technique that broadens the apparent dynamic range of an image and it doesn’t have to hit people over the head to be effective. Don’t throw out the guitar just because some people play it more loudly than you’d like. And for those that do love it, Trey’s stuff is solid teaching.

His Textures stuff is great, used with or without HDR techniques. No texture in the world is going to make a bad photograph good, but used well it’ll add a level of interest, depth, and mood to an image. I’m linking you here to a page that explains it all, including the purchase options. His stuff isn’t cheap but I think we’re so used to the internet where you can get all kinds of crappy information for free that we sometimes forget that the good stuff costs someone to make it. I have Trey’s textures in my collection of goodies and they’re a godsend when I need them.  Want more information – Click HERE to visit the Textures page on Stuck In Customs.

Some light housekeeping – I’m home now from an extended period on the road, which accounts for my being scarce around here. I’ll post this weekend about a few things, including the upcoming Craft&Vision releases and some workshop opportunities, including a recap on the Italy Within The Frame trip. Some good stuff coming down the pipe!

2011 Kenya Safari Dates Posted

May 13th, 2010

This past January I took part in a really incredible photographic safari in Kenya. I came back home with incredible memories, photographs, and a group of new friends. My time there was truly amazing and I’m dying to get back there. My partner in crime, Ryan Snider, has just announced the dates and information for this Safari. If you want in, head over to his website and check out the details. Click HERE to go to the Socially Responsible Safari Website.

In brief, the dates are January 22 to February 01, 2011, and the costs are CAD$4,950 per person from Nairobi. Ryan goes to great pains to hire the best guides and drivers, and craft an itinerary that’s jam-packed and specifically created for photographers. Our safari also includes time in villages, orphanages, and Kibera, the largest slum in Africa, in order to get a fuller understanding of the context and the people of Kenya, one of my favourite places on the planet. This year’s itinerary also involves less driving, flying in small planes to some of our camps.

For a glimpse of some of my images from the 2010 Safari, click the image below.

See you there!

Last Chance for Shutterstock’s 2010 Photo Safari Contest

May 11th, 2010

I just got a reminder that today is the last day to enter Shutterstock’s 2010 Photo Safari Contest, co-sponsored by B&H Photo and Zozi.  Enter your best travel photo (the prize is a a safari, the photograph doesn’t have to be) for a chance to win a 6-night African Photo Safari Adventure. Once you’ve uploaded your amazing shot, encourage your friends to cast their votes for your pic. I’ll be judging the finalists on May 13th – May 17th, along with my friends Chase Jarvis and Zack Arias and winners will be announced on May 20th. To enter, click HERE.

As with all contests be sure to read the fine print. I’m just helping to judge this one, it’s not my contest, and I haven’t had a look at the rules with a magnifying glass either. But the prize is sweet and if you’re jonesin’ for a fantastic trip to Africa, and you’re cool with the rules, this is a chance at some pretty fun travel. Good luck!

No Place Like Home…

May 10th, 2010

But Italy was pretty close, particularly Camogli, seen above. I felt pretty at home there. And it doesn’t help that it’s gorgeous and generally much less touristed than the Cinque Terre on whose north tip Camogli sits.Also, they have food and wine aplenty, an indulgence I am now about to pay dearly for.

Anyways, after a month on the road I’m home. A couple hours delayed getting out of Frankfurt had me worried I’d be based permanently in Europe. I don’t mind saying the whole ash-cloud issue freaks me out a little. I mean, it’s a volcano! You can’t predict or control it and it’s not like a little rain that just moves along. I have a feeling we’ll be hearing more about this in the coming months. Great to be home, though it means a week of digging out from under the pile and laundry and bills and post-production on 5000 images. It also means knuckling down on the planned output of my personal trip in Venice.

This is the cover for the first in a new series of digital books we plan to release in the coming months, beginning in June. It’s a series called The Print and The Process. The concept is simple, and I think you’re going to really like it, but I’m going to keep it under my hat a little longer. You know, to build the suspense and all that. But also because I want to put the best foot forward on it when I do.

The good news is that, with a couple quick trips here and there – Seattle, New York, Maui – I’m around now for almost 3 months. I’ve got time – when’s the last time I said that? – to get back on the bike, see friends, and polish off Vision & Voice before moving on to the fourth print book – yet another project I can’t say much about at this point. I’m excited to tell you that Vision & Voice is almost through layout now and it’s beginning to look like a real book, which would excite you too if you saw the mess I dumped on my editor’s desk :-)

Thanks for following my travels and for being patient with the less frequent postings. I suspect I’ll still only post 3 times a week for a while from now on. Let’s be honest, no one’s got time to write – or read – 5-6 posts a week. And if you do, you shouldn’t. Go pick up a camera and make photographs.

It’s Only a Moment, but…

May 6th, 2010

I think one of the things I love most about photography is that it often elevates the mundane. When you stop a moment, and preserve it forever, and take the care to frame it, light it, and chose one moment over another, you effectively tell the world – or anyone who cares enough to look at your work; Look at this! And if, even in these mundane moments of life, we find something worth looking at, worth showing the world, then we’re effectively saying, Nothing is mundane. When the elements all come together within the simple frame of a photograph to produce something greater than we’d have noticed without that captured moment, it’s magical. And as life is full of these moments, waiting to be seen and captured, they’re magical whether we do or don’t have the camera. The moment is the point, not the photograph. Photographers are learning to see, to stretch life out into a long series of noticed moments, and there’s a gift in this – if Socrates is right and the unexamined life is not worth living, then the unobserved life seems equally tragic. Sometimes a moment is just a moment, but isn’t that what life is all about?

If the poet-philosopher stuff doesn’t appeal to you, here’s the other stuff. We were eating lunch and this man was beside us with his wife. I shot this from the ankle, the camera resting on the floor, with a Zeiss 50mm/1.4 set to f/16 and prefocused. And then I waited. I shot it low because no other angle gave me the lines this one did. Not sure why but I love this photograph and if it’s all I come back from Italy with I’m content to have seen this moment. Makes me smile every time.

I’m still plugging away in Venice. Yesterday it rained cats and dogs (and I got my boots wet – stepped in a poodle) but I came back, soaked, with some images I like. Was one of those evenings you just go and apply yourself to the work, look for the muse and hope she’s not hiding in a cafe somewhere while you’re out getting wet. I fly home on Sunday, so I’ve got 3 more evenings to shoot, including today, so I need to run. Ciao bella.

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